FOOTAGE is an evening of film/video (Saturday, October 4, 7pm-10pm)
curated by Christine Murray. FOOTAGE
showcases finished interdisciplinary works merging the art forms of
film/video and dance in creative collaboration, including dances that have
been specifically created for film/video, and films/videos that
communicate the essence of movement. Five of the films/videos being shown were
selected from independent filmmakers responding to a call for entries. Others
were chosen for their documentary or historical value. A synopsis of each
film in the order of the program follows:
- "DIS," by Kelly Hargraves, Greg Hopen and Lori Tres McLean, Iris Art, NYC, USA.
An experimental video that combines the gestures and expressions of dance with distorted, complex
urban landscapes to address issues of alienation, connection, loss, and distress.
- "A Study in Choreography for the Camera" by Maya Deren.
This landmark 1945 film by avant-garde artist Maya Deren combines still life,
modern dance, and experimental camera techniques to investigate the art of
movement on film.
- "29 Effeminate Gestures," by Tim Boxell, SAN FRANCISCO, CA, USA, featuring Joe Goode Performance Group.
This video features the multiple talents of the Joe Goode Performance Group dancing to spoken word
and ambient garage sound as they ponder the meaning of love and loss.
- "Second Nature," by Daniel Conrad, Rhodopsin Productions, Ltd., VANCOUVER, BC, CANADA.
A non-narrative video that blends optical effects with multiple dancers to explore the image of the
body in motion.
- Excerpts from "The World's Young Ballet," (no director credited).
A black and white documentary showing a very young pre-defection Mikhail
Baryshnikov competing in (and winning) the 1969 International Competition of
Ballet Artists in Moscow.
- "Inside Out," by David Michalak, SAN FRANCISCO, CA, USA, featuring Kate Foley Company and Club Foot Orchestra.
This collaboration between local filmmaker David Michalak,
the Kate Foley Company, and Club Foot Orchestra is
an expressionistic film that illustrates a dancer's attempt to continue performing
despite severe mental illness.
- "SandDance," by Cynthia Pepper & David Drewry, SAN RAFAEL, CA, USA.
Featuring dancers from Marin Ballet, this film was shot outdoors on a deserted California
beach, and plays with the textures of water, sand, and the human body in a multi-sensory
modern dance.
- INTERMISSION (previous group of films runs 69 minutes).
- "Nine Variations on a Dance Theme" by Hilary Harris. A black and white film
documenting the traditional compositional concepts of theme and variation
as they are applied to contemporary dance.
- "CRWDSPCR" by Elliot Caplan, Choreographed by Merce Cunningham, Featuring
the Cunningham Company and Produced by the Cunningham Foundation.
The Grand Prize Winner of the 1996 Dance on Camera Festival, this video documents
the creative process of world-renowned choreographer Merce Cunningham as he creates
a new dance inspired by a computer program. This is a candid look at the inner
workings of the Cunningham Company, following the choreographer and his dancers through
inspiration, adaptation, rehearsal, costume fittings, performance, and even what they
eat for lunch! (This group of films runs 65 minutes.)
FOOTAGE DANCE FILM FESTIVAL
Cynthia Pepper, Artistic Director
15 Indian Rd., San Rafael, CA 94903
Cell: 415-407-9269 * Phone: 415-479-5709 * Fax: 415-499-5704
Info: cpepperdance@aol.com
URL: http://www.marindance.com/footage/
| footage 2003 | footage 2002 | footage 2001 | footage 2000 | footage 1999 | footage 1998 |
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